Blondie Redhead

Addicted to books, cinema, music, DIY, everything that screams ART… and chocolate…and caffeine!

comunidademoda:

Olha o que vem aí. Penelope Cruz - Terry Richardson  para a Harper’s Bazaar

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comunidademoda:

Olha o que vem aí. Penelope Cruz - Terry Richardson  para a Harper’s Bazaar

thevegancheese:

Wearing fur and using it, even if the animal died of natural causes. No, man. No.
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thevegancheese:

Wearing fur and using it, even if the animal died of natural causes. No, man. No.

(via we-are-all-earthlings)

suicideblonde:

Chloe Sevigny and Rosario Dawson in Kids
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suicideblonde:

Chloe Sevigny and Rosario Dawson in Kids

Take It Or Leave It on We Heart It. http://weheartit.com/entry/23680403

Take It Or Leave It on We Heart It. http://weheartit.com/entry/23680403



Now THAT is a quality photo. That is something actually worth reblogging. Beautiful.

Now THAT is a quality photo. That is something actually worth reblogging. Beautiful.

(Source: missbakesmissstakes, via skeleton-pin-up)

[Flash 10 is required to watch video]

sinisterlava:

For those who haven’t enjoyed Fassy’s celebrity penis taste, especially.
Region free, you hear me right XD
source: MTV.com

(Source: windblowstill, via oldfilmsflicker)

calivintage:

jordan photographed by refinery29.

My favourite kind of layering <3

calivintage:

jordan photographed by refinery29.

My favourite kind of layering <3

martinscorsese:

To get his 1967 debut Who’s That Knocking at My Door distributed  by an exploitation mogul, Scorsese had to add a nude scene shot in  Amsterdam.
“Harvey [Keitel]’s having a good time…I was probably the only  one who wasn’t sexually liberated. I had to edit it in Amsterdam. And I  put it in my raincoat and got it through customs.”
Conversations with Scorsese, Richard Schickel (via Hollywood Reporter).



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martinscorsese:

To get his 1967 debut Who’s That Knocking at My Door distributed by an exploitation mogul, Scorsese had to add a nude scene shot in Amsterdam.

“Harvey [Keitel]’s having a good time…I was probably the only one who wasn’t sexually liberated. I had to edit it in Amsterdam. And I put it in my raincoat and got it through customs.”

Conversations with Scorsese, Richard Schickel (via Hollywood Reporter).

(via oldfilmsflicker)

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